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Textiles, Embroideries, And: Tapestry

The word Embroidery is a modern substantive evolved out of the old verb “Embordering," by which was meant the adornment of any material with a border. Tapestry is derived, through the French tapisserie, from the Latin tapes, a carpet.

The celebrated Bayeaux Tapestry, supposed to have been the work of Matilda, queen of William the Conqueror, and her maidens, took its name from the Norman town where it was discovered in 1728.

Gobelin Tapestry preserves the memory of the Brothers Gobelin, the great French dyers (flourished 1470) whose house in Paris was acquired in 1662 by Louis XIV. for the production of tapestry and other works of ornamental design suitable for the adornment of palaces under the direction of M.

Colbert. The more ancient name for Tapestry was that of Arras, in allusion to the town situated in the French Netherlands whence it chiefly came.

Having regard to Lace, it will suffice to observe that Lisle, Chantilly, Brussells, Honiton, &c., severally identify the Lace with the local centres where its manufacture is principally carried on; that Valenciennes is made at Valenciennes, in France; and that Colbertine derives its name from M. Colbert, the superintendent of the French Royal Lace Factories established by Louis XIV. in the seventeenth century. Lace is styled Point-lace when it is worked with the point of a needle; and Pillow-lace when produced by twisted threads around a series of pins arranged on a cushion.

The latter, which has so greatly superseded the more costly point-lace, is said to have been the invention of Barbara Uttmann, of St. Annaberg, in the year 1561. The word Lace itself comes from the Latin laques, a noose or snare. Tulle, a species of network or lace, is indebted for its designation to the French town of that name where it was first made.

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